China Academy of Arts Liangzhu Campus in Hangzhou, China, Competition from 2018. Continue reading Christian Kerez
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Bruther . Kerez . Cras
Bruther . Christian Kerez . David Cras
Selected competition entry. Continue reading Bruther . Kerez . Cras
Christian Kerez
Christian Kerez . photos: © Maxime Delvaux
The pavilion in Dubai consists of a hall with a floorplan area of 900 m2 and a height of about 23 m. Columns and beams ordinarily articulate architectural space horizontally and vertically, but here the columns spread out unfathomably in all directions. They penetrate walls and ceiling, and end outside the building. The placement of the windows and the window reveals in the thin perimeter planes is a pure consequence of the geometrical arrangement of the columns. Continue reading Christian Kerez
Christian Kerez
The project consists of a very basic structure of columns and slabs. The slabs are built in the shape of one or several shells. The floor and the ceiling create a series of spaces changing from concave to convex and back again. Throughout the building, the slabs touch each other in a way that you reach one level from another in a continuous transition without the additional element of a ramp. The geometrical transformation of the slabs provides a constantly changing spatial experience when moving up or down the parking as the slabs shift from high to low, from concave to convex, and from spaces expanding to the interior to spaces expanding to the exterior of the building. Continue reading Christian Kerez
Christian Kerez
The project consists of a very basic structure of columns and slabs. The slabs are built in the shape of one or several shells. The floor and the ceiling create a series of spaces changing from concave to convex and back again. Throughout the building, the slabs touch each other in a way that you reach one level from another in a continuous transition without the additional element of a ramp. The geometrical transformation of the slabs provides a constantly changing spatial experience when moving up or down the parking as the slabs shift from high to low, from concave to convex, and from spaces expanding to the interior to spaces expanding to the exterior of the building. Continue reading Christian Kerez