Gursky’s subjects –from multinational headquarters to fashion runways, a domestic interior to a political seminar– take on a scale akin to that of history painting. In so doing, Gursky gives spatial precedence to the pressing issues of our age, articulated through expansive scenes that reveal their pictorial complexity. Continue reading Andreas Gursky
Así, imágenes pictóricas que parecen surgir de la mera contemplación se intercalan sutilmente con otras que, por el contrario, revelan una actuación directa de la artista sobre el espacio fotografiado: en él, bodegones y esculturas efímeras exploran la tensión entre lo casual y lo intervenido. Continue reading Lucía Gorostegui
Berta Cáccamo se formó en Barcelona, donde entró en contacto con la tradición catalana, y marchó en 1989 a París, donde comenzó a forjar un estilo propio basado en una intensa y rigurosa reflexión sobre el hecho de pintar. Continue reading Berta Cáccamo
Weight is a value for me—not that it is any more compelling than lightness, but I simply know more about weight than about lightness.… Continue reading Richard Serra
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In 1980, D’Hollander decided to devote herself exclusively to painting. Painting was a deeply unfashionable discipline at the time, but D’Hollander was summoned by the slow medium of painting before she became a teenager, and that for the rest of her short life she never wavered in her commitment. Continue reading Ilse d’Hollander
