Mary Duggan Architects . photos: © Lorenzo Zandri . + AJ
The site conditions posed huge constraints due to the extreme topology. But because of that problem, a more adventurous housing typology was necessary, which we explored and tested rigorously during Brexit uncertainty in direct response to the associated concerns around material supply costs. Continue reading Mary Duggan
Mary Duggan Architects . photos: © Lorenzo Zandri . + wallpaper
The Old Rectory is a Grade II listed building located in the City of London constructed between 1851-53 by architect John Davies as a home for the rector of the nearby St Clement Church. The building has been refurbished for use as a HQ workplace preserving the heritage value and domestic qualities. Continue reading Mary Duggan
Mary Duggan Architects . Piercy & Co
In collaboration with Piercy & Co, this housing scheme establishes a diagrid framework into which three housing typologies interlock creating a landscape with varying degrees of public and private exterior spaces. The scheme includes a plant nursery and a complimentary pottery studio, and envisages an elderly community bound together by gardening activities. Continue reading Mary Duggan . Piercy & Co
Mary Duggan architects . photos: © Salem Mostefaoui
For the love of materials, a pavilion made of gypsum, then stone & wood, for Visible invisible, the exhibition for the Biennale d’Architecture et de Paysage d’Île-de-France, curated by Nicolas Dorval-Bory and Guillaume Ramillien, open from 5/14 to 7/13 and organised by the École Nationale Supérieure d’Architecture de Versailles. The exhibition aims to highlight a new generation of architects, artists and engineers who directly consider material (stone, wood, earth…) and energy resources (sun, water, thermodynamics…), which are the visible and invisible materials of the exhibition, to develop projects. Continue reading Mary Duggan
Mary Duggan . + AJ
The proposal for The Garden Museum is an aggregated form distributed around the periphery of St Mary’s Gardens. The interconnected building fragments, including volunteers room, breakout space, tool room and storage, in unison softly fortify the garden. Each fragment is altered in height, in frontage and detail to address its facing condition; internally, to embrace the garden and horticulture, and externally, to celebrate the city. Continue reading Mary Duggan
