Pilgrimage is often seen as transformative journey—a brief transcendence to another state: from ignorance to wisdom, from tangible to intangible, from secular to divine. The pilgrim center is conceived as a timeless, multi-purpose place where past, present and future converge.
Stemming from the concept of monasticism, the project adheres to the principles of enclosure, introversion, and centrifugal growth. While verticality prevails, the pre-existing horizontality is now emphasized. Tracing the existing retaining walls, these elements gain substance and transform into space. The new monolithic masses, attached to the periphery, function as a backdrop for the complex of San Pietro, preserving its prominence as the focal point.
The proposal preserves the integrity of the complex while introducing voids and recesses where old and new meet, fostering a dialogue between them. From the exterior, the addition remains understated. Two volumes flanking the entrance serve as initiatory spaces prior to entering the complex. These spaces with views towards the city and nature present two facets of reality: perishability and immanence.
Characterized by continuous contrasts of light and shadow, the design incorporates skylights and modest openings, framing views to evoke contemplation on the perception of time. Spaces are arranged sequentially, transitioning from public to private, with rooms inspired by monastic cells—minimal and restful, intended for self-reflection.
The intervention, differentiated through its form and materiality, is recognizable as a new layer upon a palimpsest. Composed as a fragmented whole, it reflects and ensures the continuation of the historical narrative.
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Title: YAC – Pilgrims Heaven
Location: Italy, Tuscania
Designers: Olga Psarri, Myrto Venizelou
Project year: 2024
