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LA ERRERÍA *

Yellow brick road . Canet lo Roig

LA ERRERÍA * architecture office . photos: © Oleh Kardash

In a clear allusion to the story of The Wizard of Oz, Dorothy is told that to find the wizard, all she has to do is follow the YELLOW BRICK ROAD. From that moment of determination, she begins to meet the friends who will accompany her on her journey: the Cowardly Lion, the Tin Man, and the Scarecrow. This path will lead her to her destination and to a deeper understanding of herself. However, when she finally meets the wizard, she realizes that there is no magic; both she and her friends can solve their problems on their own. The truly important thing is not reaching the destination, but everything that happens along the way. Continue reading LA ERRERÍA *

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Harquitectes

Rehabilitation of Vapor Cortès . Terrassa

Harquitectes . photos: © Adrià Goula

The new Prodis headquarters is located in old industrial buildings that were originally part of the Vapor Marqués. The buildings are made up of the traditional perimeter structure of ceramic brick load-bearing walls following a regular rhythm of pilasters and openings every 3 meters. The 12-meter span of the buildings is covered by wooden trusses -some quite affected by roof leaks- that follow the same rhythm as the pilasters. The roof also follows the traditional structure of wooden straps and battens topped with Arabic tiles. Between the two buildings, the original service street has been built over the years with hybrid constructions of metal structure and ceramic vault. As a result of the industrial activities that have been carried out there, all the buildings have been transformed and altered over the years and therefore the main value of the complex lies in its urban structure (warehouse-street-warehouse), in its archetypal condition as an industrial warehouse and in its inherent imperfection as a product of the history of its transformations and the accumulated memory. Continue reading Harquitectes

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Penny Siopis

Pinky Pinky: Blue Eyes . 2002

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Born in South Africa in 1953 to Greek parents, Siopis came to prominence in the 1980s and 1990s with her historically and culturally charged paintings that exercised a fierce critique against colonialism, apartheid, racism and sexism. Continue reading Penny Siopis