The Racer . 2022
Many of Borremans’s new works are realized on an intimate scale that draws the viewer into them. This play with scale is further explored through their featured imagery: enigmatic scenes of groups of figures looking at what appear to be rectangular, sealed display cases. Depicted from an elevated vantage point, the characters and settings seem staged, as though they are miniature models rather than real figures. Continue reading Michaël Borremans
