In the 1970s, Whitten’s experiments with the materiality of paint reached a climax – removing a thick slab of acrylic paint from its support, Whitten realized that the medium could be coaxed into the form of an independent object. Continue reading Jack Whitten
Scale, context, and history play equally integral roles in his group of paintings… Continue reading Jack Whitten
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New York-based artist Jack Whitten’s (b. 1939) earliest experiments with painting date back to the 1960s, a period during which he created dynamic works inspired by abstract expressionism. Noted for their raucous colors and density of gesture combined with topical content, these artworks manifest emotionally complex meditations on Dr. Martin Luther King, Jr., the Civil Rights Movement and the Vietnam War.
Experimentation turned to abstraction for Whitten in the 1970s; a new method of painting developed, one that resonates more closely with photography. Gesture is removed from the making of the work; the paint and canvas are “processed”, produced from large troughs of paint, which is dragged across the canvas with tools including squeegees, rakes, and Afro combs. This process yields palpable surface texture, line and void.
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