Palimpsesto es un proyecto específico concebido para el Palacio de Cristal del Parque del Retiro por la creadora colombiana Doris Salcedo (Bogotá, 1958) que, partiendo de una concepción expandida de la escultura y apoyándose en una rigurosa labor de investigación experiencial, ha desarrollado a lo largo de su carrera un complejo y multifacético trabajo artístico en torno a la violencia política y el sufrimiento de aquellos que han quedado excluidos de unas condiciones de vida digna. Continue reading Doris Salcedo
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Doris Salcedo
+ Museum of Contemporary Art Chicago
Throughout her career, Salcedo has conducted extensive interviews with victims of political violence, transforming their experiences into sculptures that convey a sense of how their everyday lives are disrupted. Continue reading Doris Salcedo
Doris Salcedo
+ Museum of Contemporary Art Chicago
This installation, produced for the 8th International Istanbul Biennial, contained approximately 1,550 wooden chairs stacked between two buildings to address the history of migration and displacement in Istanbul. Continue reading Doris Salcedo
Doris Salcedo
photos: © Patrizia Tocci . + Museum of Contemporary Art Chicago
Plegaria Muda, which translates loosely to “silent prayer,” began with Salcedo’s research into gang violence in Los Angeles. The artist noted how victims and perpetrators of gang violence often share socioeconomic circumstances that lead to conditions of increased violence. They are often viewed as lesser in the eyes of broader society, resulting in a lack of empathy for the loss of their individual lives. The work was also made in response to Salcedo’s experience of mass graves that she visited with grieving mothers in Colombia, who were searching for their missing sons. Continue reading Doris Salcedo
Doris Salcedo
Embodying memory in a way that draws the viewer into an emotional exchange with a distant other, Doris Salcedo’s work exemplifies the theme of this chapter.
Continue reading Doris Salcedo