+ Dia:
Judd’s complicated relationship to painting is evident in his many wall-mounted structures and his persistent and varied use of color. Rejecting the proscriptions of both painting and sculpture, he focused instead on three-dimensional objects, which, he argued, “can have any relation to the wall, floor, ceiling, room, rooms, or exterior or none at all.” Dia’s Untitled (1975) and Untitled (1991) both consist of a series of wall-mounted boxes that project into space. Continue reading Donald Judd