Thomas Demand is best known for his photographs of paper and cardboard constructions, meticulously made by hand in the artist’s studio, and based on images taken from the media or everyday scenes that capture his attention. Continue reading Thomas Demand
Guerrero-Maciá’s post-disciplinary approach to image-making embraces the rejection of traditional ideas around the division of artistic disciplines. Instead, techniques from a variety of methodologies are combined to create a flexible approach for new ideas. Continue reading Diana Guerrero-Maciá
The cascade emerges as a unifying gesture within the exhibition, threading through each work with a sense of motion that feels simultaneously fluid and interrupted. The works on view, created from repurposed materials partly sourced in Berlin, reflect O’Brien’s sensitivity to material histories and an interest in the interplay between the personal and the found, weaving local narratives into his broader exploration of space and form. In O’Brien’s practice gestural repetition is reminiscent of the dynamism found in Futurist painting. Continue reading Jack O’Brien
The Tinguely works within this space are exemplary of his sculptural practice as research, exploring art based on movement, chance, relative speed and sound. His ‘anti-machines’ feel more relevant now than ever before, constructed from scrap metal and an assemblage of found materials, designed to highlight the flaws of modern technology and society’s displacement of humanity. Continue reading Jean Tinguely
fotos: Jesús Madriñán . + Sala Alcalá 31
Fronteras y territorios unfolds as a fabric weaving together the artist’s different working patterns. Among these is the use of a medium like sewing, which has become her most characteristic signature. In this way, fabrics, patterns, stitches, and thread form an identifiable language throughout her entire career. Continue reading Sonia Navarro
