Barzakh . 2021
Deeply personal yet remaining on par with major issues of our era, Lydia Ourahmane’s practice develops over periods of intense research and experimentation during which she questions the permeability of borders and transient forms of existence. The origins of her projects are often rooted in situations from her personal life, from those close to her, or materials and objects that carry the weight of social, political and economic tensions. Through a conceptual approach and a great variety of media– including installation, sound, photography, film and text – she outlines narrative trajectories where individual lives, bodies, and objects grapple with the systems that constrain them.
Triangle – Astérides
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