Wall Sits . 2019
Through the use of found, common materials, Stingily deals with the mutual conditionality of artistic production and social class. Questions of race and gender are often reflected in contemporary artistic discourse on identity politics, but those of social class are largely absent. But for Stingily artistic form is always a means to reflect on origin and therefore class. Who has access to which materials? What can be found, appropriated, utilized?
Kunstverein München
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