Jana Euler’s (b. 1982) work addresses interpersonal relationships in codified environments and suggests that people’s daily lives get stuck in the vortex of networked society, not accomplishing any actual exchange. > To paraphrase the title of a series of Euler’s paintings: in the postmodern world, emotions are transforming their own bodies. Notwithstanding the gloomy scenario, Euler’s art is hilarious, exhilarating, satirical. It boasts a sort of hippy cipher hidden in the ruins of the cyber-punk aesthetic: be happy with your body, be happy to be young, be happy to be human.
(Michele D’Aurizio)
Omnipresent Instincts Overpainted .2012
NYT (Interior2) . 2012
From a man without qualities to men with a mission …, 2012
The emotions discuss in the postmodern side-room about the transformation of their bodies 2
the B-motions undeliberatly sending out a strong message 2″ . 2011