Albers first seriously took up printmaking in 1916, at the age of 28. After attending the Royal Art School, Berlin, from 1913 – 1915, he returned home to Bottrop to take up a teaching position. Simultaneously he resumed his studies at the School of Applied Arts in nearby Essen, where he began printmaking via bookplates and greetings cards. He focused on everyday subject matter to produce accomplished linocuts and lithographs depicting local landmarks, such as sand and coal-mines and animals. Using what was available to him during wartime, these graphic works were printed on a variety of papers and on sheets of different sizes. Continue reading Josef Albers
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Josef Albers
Many of the paintings from these series have titles that reference music or sound, and the contrasting and complementary use of color and form within the works reveal the principles of visual harmony and disharmony and consonance and dissonance—musical terms Albers used in his teaching and in describing art—that he sought to explore in his serial production. Continue reading Josef Albers
Josef Albers
Josef Albers is considered one of the most influential abstract painters of the twentieth century, as well as an important designer and educator noted for his rigorously experimental approach to spatial relationships and color theory… Continue reading Josef Albers
Josef Albers
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In 1950, at the age of 62, Albers began what would become his signature series, the Homage to the Square. Over the next 26 years, until his death in 1976, he produced hundreds of variations on the basic compositional scheme of three or four squares set inside each other, with the squares slightly gravitating towards the bottom edge. Continue reading Josef Albers