A Bit Beyond What is Designated as the Pale . 2007
macba . + Marian Goodman Gallery
The abiding concern in Lawrence Weiner’s art is with the relationship of human beings to objects, and objects to objects in relation to human beings, within the realm of the use of universal and communal materials.
From early action works to Propeller and Removal paintings of the 1960s, and from sculptural practice developed within the context of Minimal Art to language-based pieces which, since 1968, have been essential to his exploration of the infinite possibilities of expression, Weiner has produced works in a dynamic breadth of formats for over forty years.
Marian Goodman Gallery
Tucked in at the corners . 1988
To See and Be Seen . 1972
Art Meets Science Multiple . 1992
