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Flood believes that when artwork is overly glorified it is hard to experience it as “art” per se, which is why he has referred to himself as one of the “least important artists of the 20th century,” a sentiment reflected in the misspelling of “Gratest” in this exhibition’s title. While Flood is one of the most successful artists working today, his art has not been the subject of significant scholarship until now. CAMH seeks to examine Flood’s work through a serious curatorial and philosophical lens, not as mere hometown hero-worship. Continue reading Mark Flood
