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Using local soil, Sevillian ‘yellow albero,’ and red soils from Huelva, Morelos creates masses inside the museum to encourage a reunion with the essence of Nature and, at the same time, closes a circle—a round-trip journey—between Seville and America through the plants that arrived from the new continent and now are part of a global world. Continue reading Delcy Morelos
In her early works, Morelos focused primarily on painting, applying natural red pigments to paper. Her chromatic research directed her attention to the intersection between body and violence. Continue reading Delcy Morelos
Downstairs, visitors will find themselves confronted by El oscuro de abajo (2023), a large-scale immersive installation specifically designed for a subterranean space. Composed of earth mixed with cinnamon and cloves, the work occupies a large part of the walls, floor and ceiling, precisely delineating a cavern in the space, a sanctuary into which we are invited to enter. Continue reading Delcy Morelos
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In her work, she expressively explores the concept of the body as a container for human emotions, which are violent in many cases. Metaphorically, body fluids and skin tones evoke impulses and tensions that surpass the rationality that strives to contain them. Continue reading Delcy Morelos
