Berger&Berger . + No tears for the creatures of the night
The text, constructed in three parts like a Lied-Sonata, is reminiscent of the leitmotifs that Berg used in Wozzeck. An introduction symmetrically aligned to the Conclusion. The “circulating” central part that dislocates the symmetry. Three “fields” of substances (of differing energy weights) both acted and revealed by the structure of the piece. Sinusoidal dynamics, the times are sometimes below, sometimes beyond a vertical axis – it is a vertical time, a sine tilted a quarter of a circle with respect to its classical representation. Suspended time. No tears for the creature of the night is also a piece of architecture. It is a new variation of architect Aldo Van Eyck’s plans for the Sonsbeek Pavilion, a temporary pavilion, built in 1966 in Sonsbeek park in Arnhem.
Berger&Berger
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