Mountain hotel, yelling & shouting, the world in color . 2021
Call it a political economy of taste. Then cross it out, the way cubism is never just a diagram with its back to the world. While painting is a recipe for variable relationships between inside and outside, the presence of escape lofts onto the ten wings of apophenia. Probability is the busiest of networkers, an avalanche of doubt broadcasts doubly as calmly-alerted curiosity. Painting’s hieroglyphic muteness gives it advantages over the spoken word from the bay windows of a cliff-side chalet – that off-modern, not-quite-right imagery of leisure.
Downs & Ross
_
