The Moon, Blodsbröllop . 1970
Her imagery is strongly influenced by the aesthetics of the Dutch De Stijl movement and the German Bauhaus school’s architectural programme, both in the symbolic function of colours and the approach to stage design – where each object and detail must serve a purpose.These schools also propounded the idea of artistic mobility; Palmstierna-Weiss’s practice crosses genres and disciplines, continuously interweaving art, crafts, technology and reflection. Her professional career began in the field of ceramics and sculpture, specialising on public embellishments, a practice she continued to pursue alongside her stage design.
Moderna Museet
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