The Wall . 2000
The primary subject of Kurland’s pictures, however, are the adolescent girls who inhabit these places, both familiar and uncanny, captured by the artist’s camera.
The fact that Kurland’s pictures are carefully staged seems to contradict their intimate, candid quality. Speaking about her work, Kurland has said that she constructs pictures in order to let them unravel, working along a “spectrum between the perfect and the real.”
Mitchell-Innes & Nash
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