The work of this artist has a deep Apollonian character. We can imagine her as the most merciless persecutor of the shadow line, armed with her drawing instruments: surgical stylus and scalpels relentlessly separating the visible from the mental, the possible from the ideal, the invisible from the unreal … Concealed within her compositions, there is measure and order. All is controlled and measured, balancing every step and every appearance of a form with the rest, until at last, and with few syntactic elements brought into play in a nearly empty space, the perfect harmony of the objects cast in the air is sustained—although in this exhibition there are some of the more complex drawings from the formal point of view.
Óscar Alonso Molina [Translated by María Díaz]
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