Configuration Rosa / Rose . 1992/93
Since the early sixties, Walther has been using textiles in the configuration of his works. Couture here functions as a constructive principle, rather as 20th century collage and assemblage do when they are conceived as processes for the approximation of art and life. Their undeniably tactile appearance, reinforced by a complex use of color, gives these works a ludic character replete with possibilities. In the artist’s own words, these textile prototypes become “a set of conditions rather than a finite object”.
Museo Reina Sofía
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