A single typological model, the terminal, has taken precedence in the contemporary design of public buildings: mere shopping corridors, as sterilized as they are devoid of any real agonistic substance. A museum, just like an airport, is today more than ever something to be consumed. In the same way, any artistic movement dies when entering that sanctuary (and occupies its place in history); the container itself is also neutralized and ends up being part of the exhibit. Continue reading Manuel Ocaña
Pregunta. ¿Rossi o Koolhaas?
Respuesta. Koolhaas. Rossi solo trasciende académicamente. Continue reading Manuel Ocaña