0

Ibrahim Mahama

Non–Orientable Nkansa . 2017

Ibrahim Mahama . Non–Orientable Nkansa . 2017 afasia (1)

+ White Cube

Mahama and his collaborators obtained the items through a process of negotiation and exchange. Such transactions form a critical feature of the artist’s practice, as does the particular site of the work’s production. In this case, a redundant former state-run factory lends added resonance, since it is in the political exigencies of space and the evolution of materials from one context to another that the work’s intention resides. Continue reading Ibrahim Mahama