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Anselm Kiefer

Exodus . 2012–21

+ Gagosian

Kiefer’s syncretic approach to materials extends to his understanding of history, literature, and mythology as forces that inform the present. In this new body of work, he incorporates inscriptions in Hebrew from the book of Exodus, with thematic references to its narrative blended with a diversity of other sources. Continue reading Anselm Kiefer

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Anselm Kiefer

Aus Herzen und Hirnen sprießen die Halme der Nacht . 2019–20

Aus Herzen und Hirnen sprießen die Halme der Nacht . 2019–20

+ Gagosian

The tension between beauty and terror, alongside the inextricable relationship between history and place, has animated Kiefer’s work since the 1970s. Drawing on the literature of cultural memory—including poetry, the Old and New Testaments, and the Kabbalah—Kiefer gives material presence to myths and metaphors. He infuses the medium of paint with startling and unconventional gestures and objects, juxtaposing it with organic and abject materials such as straw, sand, charcoal, ash, and mud. Continue reading Anselm Kiefer

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Anselm Kiefer

Velimir Khlebnikov: Fates of Nations: The New Theory of War. Time, Dimension of the World, Battles at Sea Occur Every 317 Years or Multiples Thereof, Namely 317 x 1, 2, 3, 4, 5, 6 . . . . . . . . 2011-14

Private collection . Photo courtesy Royal Academy of Arts. Photography: James Harris / © Anselm Kiefer

+ The Royal Academy of Arts . photos: CUBO ET EXCUBO

Anselm Kiefer often dedicates his works to intriguing figures of the past, be they poets or philosophers. This piece is one of a number of works emerging from Kiefer’s ongoing exploration of the Russian Futurist avant-garde writer, theorist and absurdist Velimir Khlebnikov (1885-1922). Continue reading Anselm Kiefer