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Gonzalo Sicre

Señales

Señales

+ Sala Parés

To create a link between the human and the sublime, to formulate with the painting an orientative artistic truth as an alternative to the reality of nature, a human truth. Adopting a naturalist pantheistic vision and conceiving nature as the only true reality, to reach the last stages of the sublime as defined by Schopenhauer, the most complete feeling of the sublime. The immensity of the extension or duration of the universe (pleasure for the observer’s knowledge of his own insignificance and his unity with nature).
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