Monika Sosnowska

Frieze . 2015

Frieze . 2015

+ Hauser & Wirth

This tension in Sosnowska’s work stems from the ways in which she deftly draws from an artistic and architectural vocabulary from Poland’s socialist past – a time more recent than it seems. Sosnowska’s distinctive interpretations of geography, governance, and architecture breathe new life into the larger context of postmodern sculpture, and follow a continuum of sculptural breakthroughs marked by Louise Bourgeois’s monolithic spiders, Tony Smith’s spatial matrices, and Robert Morris’s large-scale modular units.
Hauser & Wirth



Leave a Reply

Your email address will not be published. Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>