In the 1990s, Madoz began to question the everyday uses of objects by manipulating and accentuating their characteristics in his photography.
Without digital alteration, Madoz photographed either unaltered objects or objects that he manipulates or invents himself. He considers himself “an objectual sculptor who works from a photographer’s point of view.”
robert klein gallery
Untitled . 2004
Untitled . 2003
Untitled . 1990