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Chema Madoz

Untitled . 2003

+ robert klein gallery

In the 1990s, Madoz began to question the everyday uses of objects by manipulating and accentuating their characteristics in his photography.
Without digital alteration, Madoz photographed either unaltered objects or objects that he manipulates or invents himself. He considers himself “an objectual sculptor who works from a photographer’s point of view.”
robert klein gallery

 

Untitled . 2004

Untitled . 2003

Untitled . 1990

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